Painting in early 14th century Siena, unlike Florence, Venice or Padua, is perhaps most original for its small narrative scenes.

Stella Rudolph's long-awaited catalogue raisonné of Carlo Maratti is finally out.

In Borgo San Sepolcro, an unexpected masterpiece by Rosso Fiorentino.

Revelations from our visit to the Scarpa-designed house museum of Antonio Canova in Possagno.

If only Annibale Carracci and Giulio Romano could have seen these spectacular 5th-century Roman mosaics.

It’s the glowing, celestial form of the turban that hits the highest note.

An unprecedented major exhibition of Baroque art at the Museum of Art Pudong.

A 90-second teaser filmed at the Palazzo Barberini in the months leading up to our 2023 exhibition on Settecento Rome.

A concert set to the hours of the day by Ensemble Astrea.

Daughter of art dealer Richard L. Feigen speaks about the thrills and demands of her formative experience.

Join Nicholas Hall for a discussion on an early panel by Vittore Carpaccio, as part of the Meet the Experts series for TEFAF Maastricht 2022.

From Manila to Moroni, the curator at New York's Frick Collection reveals a thing or two about her cultural life.

Spend a day getting to know our team through the lens of film maker Em Joseph.

Preview the new catalogue raisonné on the Venetian master with an entry on the altarpiece at the San Giovanni Crisostomo in Venice.

Paul Rem selects Interior View of Niewe Kerk, a painting by Pieter Saenredam as one of the top highlights at TEFAF Maastricht 2020.

Nicholas Hall presents a fine Portrait of a Young Lady Holding a Cat, a seductive image painted by Antonio d'Ubertino Verdi, known as Bacchiacca, for this year's TEFAF – Meet the Expert series.

Ann Demeester, director of the Frans Hals Museum in Haarlem, selects a painting exhibited by Nicholas Hall as one of the best 17th century paintings at TEFAF Maastricht 2019.

A symposium accompanying the exhibition Endless Enigma: Eight Centuries of Fantastic Art that took place at The Kitchen, New York.

Yuan Fang presents at the inaugural Museum 2050 symposium at the Long Museum in Shanghai, an initiative that seeks to investigate the future of the cultural institutions in China.

An intimate lecture on Carlo Maratti, 'one of the most understudied of Italian Baroque artists.'